100 Cameras is a non-profit organization that believes in using photography to help change a community. 100 Cameras supplies kids in marginalized communities with cameras to photograph their surroundings so that they can share their story. This is an organization that understands and is utilizing the power of photography. Learn more at 100cameras.org
Here’s a short video that further illustration what they do http://vimeo.com/38934337
I’m drawn to photograph urban decay and industrial areas. Places that most people consider ugly I find to be endlessly beautiful. You can feel the history radiating from these sites. They’ve been abandoned, no longer considered productive and left to be reclaimed by the surrounding nature. These places are forgotten and often times will eventually be leveled and replaced by a new building that looks as uninspiring as all other contemporary structures. When I see areas like this I don’t see wasted space I see a missed opportunity for people to keep their history alive and I have to record what is left.
You can make your camera using something as simple as a shoebox. These are called pinhole cameras because your make-shift lens is literally a hole made by a pin or sewing needle. The body needs to be completely light tight and you need to have a secure shutter. Then you just need a darkroom to load and unload the photo paper. Here’s a link to a site called Instructables that gives you step by step directions on how to construct your own pinhole camera. This site is a great resources for any DIY projects.
In the art world photography doesn’t hold the same respect as painting or sculpture. I’ve had professors who’ve made this opinion obvious. People who pride themselves on having extensive knowledge of art history and the skills involved with “real” art completely disregard photography. But we don’t talk about all mediums in the same way, there are different skills, and elements, and styles. So why can’t photography be added to the conversation? A phrase you often hear is a person has “a good eye”. It could be an eye for painting, or drawing, or film making, or photography. Because everyone sees the world differently, especially artists and this is expressed in their art. Photography isn’t just snap shots, there’s thinking and planning and effort. The subject matter and materials are taken into consideration to achieve the desired effect. It isn’t the same as more widely accepted arts it just requires a different eye and thorough knowledge of the medium.
Many photo 1 classes don’t actually teach you the right way to work with 35mm black and white film. They show you the very basics then make it more of an art critique class, where the focus is on themes and content. By the end you’ll have a better understanding of composition but you’ll actually have low-quality photographs. You have to take a more advance photo class to learn how to do it properly and effectively. The chemicals used require an exact process in order to develop the best negatives. Intro classes don’t go into depth because people who aren’t invested won’t be interested in all the test that have to be done before you can take good photographs. Not all cameras are the same and not all film is the same. Multiple tests need to be done to determine what conditions should be used for each camera and sets of film. Not teaching this right off the bat means you have to relearn everything in an upper level class. It’s a disservice to the serious photographers that want to learn and adds to the misconception that all photography requires is pushing a button.
The realm of digital has quickly made traditional media outdated. There is a group of people that have slowly been bringing back vintage ideas, fashion, and now photography. These wonderful people have been affectionately denoted as Hipsters. Thanks to them there has been an increased interest in traditional film, particularly Polaroid. This allowed for a group known as The Impossible Project to flourish. In 2008 Florian ‘Doc’ Kaps and André Bosman bought the last Polaroid instant film factory. Together with ten top-notch former Polaroid employees they reinvented instant film and brought Polaroid back to life. Though currently the film is bit expensive, especially for students, it is still great to see people striving to save film. Cleverly they have been able to develop their own products that combine new technology with old school film. A lot of the Instagram filters that IPhone and Android customers love can be achieved with Polaroid film. That faded antique look is not original to computer programs it started out in the 1800s with buckets of toxic chemicals. Digital has made the process much safer but now people can’t die for their art.
Being in a darkroom is like entering a unique domain. There’s a specific system. Time moves significantly slower so that when you get back to the outside world you’ve easily lost hours. The smell is a mix of the chemicals required to make your images appear, developer, stop bath, and fixer. Considering the toxicity it’s not something one should get too used to but for me it’s become a comforting aroma. The light is a low amber color because of the light sensitivity of the photographic paper. The need for near darkness adds to the calming affects of the process. It’s not a difficult procedure to learn however the cost of the materials makes you vary weary of mistakes. After you’ve exposed your paper to the desired image and placed it in the first tray of chemicals, you watch as the picture slowly reveals itself. It’s interesting to watch beginners do this for the first time the look on their face is usually one of awe. Digital provides instant gratification but film makes you wait to see if you’ve obtained the desired results. When you have to spend more time and effort adjusting the many components there’s a greater sense of satisfaction when it finally turns out perfect.